| Guest of ilb 2002
The Swiss author, Paul Nizon remains outside any
trends of contemporary German-language literature. Althrough he
was loosly associated with the group 47, he now remains apart from any
particular movement; he once described himself as "a writer of part
autobiography and part fiction". Nizon was born in 1929 as a son
of a Russian emigrant and a Bernese mother in his mother’s
hometown. He studied Art History and did his PhD in 1957 on
Vincent van Gogh. In 1961 he became the head art critic of the
'Neue Züricher Zeitung'. His path of escape from this prestigious
position to an uncertain life dedicated to literature is literary
reflected in 'Unternehmen. Protokoll einer Reise' (1972).
From then on, Nizon’s live has been a constant series of new
beginnings, his writing the tireless reflection of this. His work
as a freelance art critic secures his material upkeep. Already in
his literary tribute 'Die gleitenen Plätze' (1959) which was highly
praised by the critics, his striving for reflection and clarity in
language becomes apparent. After periods spent in Rome and
London, he moved to Paris in 1977, where he has since lived in exile by
choice. His books have usually been translated into French very
shortly after publication in German, and often sell more copies in
France. Nizon has removed himself further and further from his
Calvinistic Swiss roots. Even in 'Canto' (1963) he contrasts a
description of the atrophied, middle class lifestyle of his home town
of Bern with enthusiastic praise of Rome. 'Im Hause enden die
Geschichten' (1971), marked by a language combining stillness and
turbulence constitutes another, the rejection of middle-class
mentality. Also in 'Diskurs der Enge' (1970) he inveighs against
the provinciality of Swiss art. Nizon’s story 'Stolz' (1975) for
a long time his most successful story, is about intellectual and
spiritual decline and the danger of a loss of self, tied in with
artistic commitment – his constant theme. In his Paris book 'Das
Jahr der Liebe' (1981) Nixon combines the difficulties of love with
those of an artist’s existence and at the same time celebrates women
revealing all the splendours of life, love which can be bought and his
city of refuge.
In 1984 he held the prestigious Chair for poetry at the 'Johann
Wolfgang Goethe-University Frankfurt am Main'. His poetological
thinking lectures were published as 'Am Schreiben gehen.
Frankfurter Vorlesungen' (1985). For his seventieth
birthday, Suhrkamp Verlag, his loyal publisher since 1963, dedicated a
seven volume work edition to him.
Dirk Naguschewski
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