Guest of the ilb 2007
Thorsten Becker was born in
Oberlahnstein and grew up in Cologne. Following an acting course at the
Max-Reinhardt-Seminar in Vienna, he worked as an actor and director’s
assistant. He studied philosophy, history, sociology and theatre
studies at the Free University in Berlin until 1984. His writing début
came in 1985 with »Die Bürgschaft« (t: The guarantee). This parody of
the classical Schiller ballad, in which a West Berlin author acts as
guarantor for a colleague from East Berlin by staying behind in his
place, was enthusiastically received by the eminent German literary
critic Marcel Reich-Ranicki.
Becker is »one of the nimblest and most
imaginative German writers«, wrote Martin Kämpchen in the »Frankfurter
Allgemeine Zeitung«. The author has written poems, essays,
autobiographical texts, dramatic sketches and also translates from
French into German. He is best known for his eight novels, which
revitalise the genre of historical fiction through their entertaining
and brilliant blending and cross-pollination of various historical
contexts. He also assimilates impressions from his travels, including
journeys to the Middle East and North Africa. Following novels which
are set in Arabia and India, Becker established himself as an expert on
Turkey through »Sieger nach Punkten« (2004; t: Winner on points). In
this novel he orchestrates the life story of an Anatolian émigré, his
son’s super featherweight world title boxing match and a comprehensive
depiction of Turkish history.
Becker proves himself a master of historical
pastiche with his »Der Untertan steigt auf den Zauberberg« (2001; t:
The Man of Straw ascends the Magic Mountain), which focuses on the Mann
family, who are fused with a fictional artists’ colony, Orbeswenden
(which was of course inspired by Worpswede). The pathological
identification of a patient in a psychiatric clinic with Erika Mann
gradually spreads to her doctor. Heinrich and Thomas Mann are also the
protagonists in Becker’s latest novel »Fritz« (2006). Their
correspondence – refreshingly imitated by Becker – and a supposed
collaborative novel project paint a vivid portrait of a monolithic
figure in German history, Frederick the Great. The fictional verse
drama »Katte«, which the Manns set in the era of Frederick the Great,
is actually, according to Becker, the work of a peer of the Mann
brothers. Becker breathed real literary life into this work, which had
its premiere in 2006 at the opening of the newly constructed
Hans-Otto-Theater in Potsdam.
Becker’s achievements include numerous
scholarships as well as the literary prize of the »Frankfurter
Allgemeine Zeitung« and the Premio Grinzane Cavour of Turin. The author
was Writer in Residence in Rheinsberg in 2005, and for 2008 he has
received a scholarship from the Villa Massimo in Rome. When not
travelling, he lives in Berlin.
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