Guest of the ilb 2006
Lutz Seiler
was born in Gera, Thuringia, in 1963. Following an apprenticeship in
the construction sector he worked as a carpenter and bricklayer, and
later studied German Language and Literature in Halle and Berlin. He
was co-editor of the literary journal »moosbrand« from 1994-1999.
Although his first collection of poems »berührt/geführt« (1995; t:
touched/guided) went largely unnoticed, he became known as one of the
most significant contemporary German poets through the following books,
»pech & blende« (2000; t: misfortune & aperture) as well as
»vierzig kilometer nacht« (2003; t: forty kilometres night). He was
awarded a succession of prizes including the Kranichstein Literature
Prize and the Anna Seghers Prize, the Ernst Meister Prize, the Bremen
Literature Prize, the Prize of the SWR Best Book List and the Ingeborg
Bachmann Prize awarded for an extract from his prose piece »Turksib«.
Ancestry and the location of writing have special
meaning for the poet, editor and essayist; and create a kind of poetic
reservoir for him. Childhood and »homelands«, as an essay from 2001 is
entitled, are the subjects of his reflections. A whole archaic world of
imagery – concepts like cattle, rock, coal, table, face are all piled
up – confronts concrete memory topoi, which refer to his Thuringian
ancestral landscape. The title »pech & blende« evokes such
concreteness: »Pechblende« is what the miners called the uranium-rich,
radioactive ore, to whose mining Seiler's home village also fell prey.
Gagarin, the Soviet outer space hero, becomes a quasi family member in
the verse »mutter, vater, gagarin & heike oder« (mother, father,
gagarin & heike or). Fragments of the past resurface abruptly in
Seiler's poems, serving as index fossils in history's deposit mine.
Thus, the reader is temporally orientated and transported by means of
rhythmic, rhymeless verse in the echo cavities of history and
remembrance.
The poems in the volume »vierzig kilometer nacht«
(2003) go beyond »german street avenues«, from the ancestral landscape
– destroyed by uranium mining – into the historical layering of the
regions of Brandenburg and central Germany, and turn towards themes of
the present. The essay collection »Sonntags dachte ich an Gott«
appeared in 2004 and came to define Seiler's poetic position. In this
book he reports on the »magical spots« and the initiations of his own
childhood and adolescence, but also on his experiences as a reader. »Im
Falle des Verlusts zu senden an« (t: Send in case of loss) is an essay
on Peter Huchels's notebook, which the poet used as a repository for
metaphors in which he organised the raw material of his work within
fields of concepts and images. Lutz Seiler, who lives in the Peter
Huchel House in Wilhelmshorst, a memorial place near Berlin, has been
directing the house's literary programme since 1997, and carried out
research on the poet who edited the important cultural magazine »Sinn
und Form« in the GDR. Seiler's most recent story, »Die Anrufung« (2005)
was praised for its »poetic intensity«. His poems have also found
recognition abroad, and have been translated into many languages, among
them English, French and Italian.
© internationales literaturfestival berlin
BIBLIOGRAPHY:
berührt/geführt
Oberbaum
Chemnitz, 1995
pech & blende
Suhrkamp
Frankfurt/Main, 2000
vierzig kilometer nacht
Suhrkamp
Frankfurt/Main, 2003
Sonntags dachte ich an Gott
Suhrkamp
Frankfurt/Main, 2004
Die Anrufung
Keicher
Warmbronn, 2005
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