Guest of the ilb 2004, 2005 and 2006
Oskar Pastior
was born in Sibiu in the Transylvanian region of Romania in 1927. A
member of the minority ethnic German community, he spent five years in
a Soviet forced-labour camp after the Second World War before being
allowed to return home. From 1955 he studied German Language and
Literature at the University of Bucharest, during which time he
published his first poems. After graduating, he worked for the German
language service of Romanian national radio. His first collection of
poems, »Offne Worte«, was published in 1964. Despite winning literary
awards in Romania, he felt confined by the »prefabricated and
ideological language with its prescribed historical rules.« It was
while studying in Vienna in 1968 that he emigrated to the west. He
since lived as a freelance writer and translator in Berlin. »Vom
Sichersten ins Tausendste« (1969) was the first of his many books of
poetry to be published in Germany.
In the poetically resonant parallel world of Pastior's writing,
familiar language becomes alien and meaning is elevated to another
dimension. The appeal of this surreal linguistic reality stems from a
playful tendency to bend the rules. Christoph Meckel once said of this
innovator of language: »He always perceived misconstruction,
connotation, nonsense, wit and diversity as the true and genuine
meaning of words.« Not surprisingly, Pastior was a member of OuLiPo
(»Ouvroir de Littérature Potentielle«/»Workshop for Potential
Literature«), a group that has worked with revived and original writing
techniques since its foundation in 1960.
Oskar Pastior was a master of lyrical forms, ranging from conventional
writing in »Gedicht-gedichte« (1973; Eng. »Poempoems«, 1990) to the
creation of »sonetburger« (1983), from rummaging around in »Höricht«
(1975) to exploring the potential of the anagram in »Anagrammgedichte«
(1985). He played with the palindrome in »Kopfnuß Januskopf« (1990),
invented the vocalise (»Vokalisen & Gimpelstifte«, 1992) and
fathomed the »hearing of the genitive« in »Das Hören des Genitivs«
(1997). His »o du roher iasmin«, published in 2002, comprised 43
variations on Charles Baudelaire's poem »Harmonie du soir«. The third
volume of Pastior's collected works »Minze Minze flaumiran Schpektrum«
was published in 2004.
Pastior won numerous awards for his works, among them the Aachen Walter
Hasenclever Prize and the Viennese Erich Fried Prize. He passed away on
October 4, 2006, some days before he was to be given the Georg Büchner
Prize for his »œuvre of tremendous radicalism and diversity of forms«.
© internationales literaturfestival berlin
BIBLIOGRAPHY
Lesungen mit Tinnitus
Hanser
München, 1986
Kopfnuß Januskopf
Hanser
München, 1990
Vokalisen & Gimpelstifte
Hanser
München, 1992
Das Unding an sich
Suhrkamp
Frankfurt/Main, 1994
Villanella & Pantum
Hanser
München, 2000
Das Hören des Genitivs
Hanser
München, 2000
O du roher iasmin
Urs Engeler Editor
Basel, Weil am Rhein, 2002
Jalousien aufgemacht
Hanser
München, 2002
Jetzt kann man schreiben was man will
Hanser
München, 2003
Mein Chlebnikov
Urs Engeler Editor
Basel, Weil am Rhein, 2003
Minze Minze flaumiran Schpektrum
Hanser
München, 2004
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