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Péter Nádas  [ Hungary ]

Biography

kal.Nádas.portrait.bmp
© Hartwig Klappert

Guest 2009, 2012.

Bibliography

Ende eines Familienromans
Suhrkamp
Frankfurt a. M., 1979
[Ü: Hildegard Grosche]

Buch der Erinnerung
Rowohlt
Reinbek, 1991
[Ü: Hildegard Grosche]

Liebe
Rowohlt
Reinbek, 1996
[Ü: Christina Viragh]

Die Bibel
Berlin Verlag
Berlin, 2009
[Ü: Ruth Futaky]

Parallelgeschichten
Rowohlt
Reinbek, 2012
[Ü: Christina Viragh]

In der Dunkelkammer des Schreibens. Übergänge zwischen Text, Bild und Denken. Ausstellungskatalog.
Nimbusbooks
Wädenswil, 2012

Schattengeschichte/Lichtgeschichte. Fotografien
Nimbusbooks
Wädenswil, 2012

Arbor mundi. Über Maler, Bildhauer und Fotografen
Nimbusbooks
Wädenswil 2012

Péter Nádas was born Budapest in 1942. In the 1960s he was a photo reporter and journalist, and worked for »Nök Lapja« magazine and the daily »Pest Megyei Hirlap«.

At the age of 23 he gave his literary debut with the short story »A biblia« (1967; tr.: The Bible). The novella about the Stalinist Rákosi regime already reveals Nádas’ subtle way of reflecting political and historical aspects in private scenes. Between 1969 and 1977 all his works were censored. Therefore, his first novel »Egy családregény vége« (1977; Eng. »The End of a Family Story«, 1998) was published very late. It is the story of a child and a totalitarian regime that haunts the young narrator even in his dreams. Nádas has the levels of time and reality merge, a narrative method, which he perfects in his subsequent works. The novelist became internationally known with »Emlékiratok könyve« (1986; Eng. »A Book of Memories«, 1997), a book on which he worked for eleven years, and which Susan Sontag called »the best novel of our times«. In an alienated literary mise en abyme the narrations of the first-person narrator overlap, duplicate, merge and flow into each other. The story is set in two cities that have been equally marked by ideologies: Berlin and Budapest. Nádas has published short stories, essays, theatre plays and illustrated books. Alongside his other writing, he was working on his opus magnum, which would go beyond the previous novel in terms of volume and complexity: »Párhuzamos történetek« (2005; Eng. »Parallel Stories«, 2011) begins with the discovery of a corpse in Berlin’s Tiergarten park a few weeks after the fall of the Wall, and covers the panorama of the whole century in three volumes. Chaos has become the principle of composition here. The huge work is a hypertext, which contains links that can only be discovered by those who take the time to read the book diligently. Plots are often interrupted abruptly, in order to continue hundreds of pages later. Nevertheless, there are episodes and characters without any immediate relation to others, but which are still indispensable elements of the panoptikum, which only comes into being in the co-existence of life realities. In »Parallel Stories« the author finds a language which, in its virtuosity, fits in with the bodily and intimate character of the book.

Nádas received the Austrian State Prize for European Literature in 1991 and the Franz Kafka Literary Award in 2003. For his last novel he and his translator Christina Viragh were awarded the Literature and Translation Prize »Brücke Berlin« 2012. Nádas lives in Gombosszeg and Budapest.

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